LeftRight

Monthly Archives : May 2012

M83 ‘Reunion’

CultureMusic

M83-reunion-screehsot-video

 

After the teaser has been released a few weeks ago - (oh yeah – since when is it so popular to push a music video by doing a teaser?) now finally the whole official clip “Reunion” by M83 is out. Beautiful movie clips of children with telekinetic powers directed by Fleur & Manu …..it reminds me of one of my memories about the mysterious books by Stephen King which I devoured in my youth.

Nachdem der vor Wochen veröffentlichte Teaser (aja – seit wann ist es eigentlich so populär einen teaser für sein Musik-video ins Vorfeld zu schicken?) schon Appetit auf das Video gemacht hat – kann man nun seit gestern den ganze offizielle Clip “Reunion” von M83 bewundern. Wunderschöne Filmsequenzen von Kindern mit telekinetischen Kräften directed by Fleur & Manu ….. da kommen mir persönlich gerade die Erinnerungen an die unheimlichen Bücher von Stephen King die ich in meiner Jugendzeit verschlungen habe.

 

Interview with Maria Rita

Exclusive

Maria Rita

“I still don’t know who Maria is as a photographer and I’m not striving to be original or famous… I photograph because I love it and I hope that’s who Maria is for those who don’t know me.” Maria Rita is the artist that I want to present to you today. She’s a young photographer from Portugal currently living and working in London and to me she’s one of the most promising young Portuguese photographers or as I usually say – new, talented young blood. And just like with a camera in hand we try to portrait her with our interview…

Whenever I talk to young photographers, usually from Portugal, your name always comes up. Do you know the reason, for that Maria?! What makes you so unique that makes your co-workers always refer to you? Who is Maria for those who do not know you?

That really is a surprise for me. I mainly use social networks and my website to share my work, but internet is such a huge world that you never know how many people you actually reach or what people think. I do believe that every photographer is unique and I really think that our ‘vision’ is made from life experiences and influences pretty much like your personality so, what makes my work unique is me, exactly like anyone else. I still don’t know who Maria is as a photographer and I’m not striving to be original or famous… I photograph because I love it and I hope that’s who Maria is for those who don’t know me.

How did the world of photography show up in your life?

Photography showed up in my life when I was six and my father gave me a point and shoot camera. I would take it everywhere and photograph everything (except people because I was always very shy). I was very disappointed when I lost it a few years later and I only started shooting again when I was eighteen, always analogic, until I started studying fashion and got interested in fashion photography. Now I usually say that I am a bi-polar photographer. I photograph my life in analogic as a memory extension, something I can use to remember how things were, how I was, and I photograph fashion mostly in digital to explore a more creative side of photography.

As I know, you are studying in London. Portugal was replaced or is there a possibility of you getting back to your hometown?

I came to London to work. That doesn’t mean I won’t be studying anymore because London is a world of opportunities and I definitely want to make workshops and probably a BA in fashion photography, but for now I’m working as a retoucher and learning a lot. Portugal can never be replaced, home can never be replaced. Ideally I would work in Portugal and travel for short periods, either to learn more, work or just be inspired, but unfortunately at the moment most young people have to move abroad and I needed to work somewhere else where I could learn and improve. I am sure I’ll be back when the time is right, just don’t know how long it is going to take.

How do you see the photography scene in Portugal?

Photography in Portugal is a lot like everywhere else, but in a smaller scale. It is a very strict world and you end up seeing the same names everywhere. Portugal has some really good photographers and I’m glad to see that lately some young photographers are getting bigger and publishing a lot more. It takes time and a lot of effort, but I guess that’s how photography works everywhere.

Maria Rita

Maria Rita

I know you’ve done some work for magazines such as CHAOS and Parq. How or what would be your dream magazine in which you could expose your work?

I was lucky to have my work published in some magazines so far. I guess the online magazines now make it much easier to share your work. I buy a lot of fashion magazines every month and it would be impossible to pick just one. I can tell you that Vogue is not one of my dream magazines. I recognize its importance but I’d like to have the opportunity to publish my work in a magazine that is more visual rather than one with so many articles.

I’m completely in love with your work. So tell me, what is your secret or is it just the fact that you are young, deeply in love with photography and living in London? Is this the formula to win it?

There is no secret really, just a lot of love for photography and probably the fact of being young or at least feeling young. Living in London is not an influence yet, I feel much more inspired by Portugal, specially because I have always been deeply in love with the ocean and I include it in my work everytime I can. I try not to photograph because I have to. I like to be able to work with a team that I trust and to do it everytime I feel like it, mostly because I love it and feel the need to. It has become more of an addiction, something that I need in order to feel good.

Do you feel that you have to pay with your heart to achieve your goals or nearly pay for your own work?

I don’t consider that I have to pay with my heart. I always work from the heart and that is either to achieve goals or to make personal pictures to my own archive. It’s not because I have to, it’s because it is where my photography begins. If we are talking about achieving goals as a photographer I do agree that most of the times you have to pay for your own work for sure. I usually photograph for my portfolio and that requires an investment of time and money. Even if the images end up being published most magazines won’t pay you for them. Unless you work for specific brands or advertising, photography is not that profitable, but then again, I do it because I love it and if sometimes I have to pay to achieve the image I want and imagined, then so be it.

If you had to choose just one person with whom could work for the rest of your life, who would be the privileged?

That is impossible to answer. The way I see it photography lives from diversity and that means that you have to try and work with different people all the time, to learn from them and have different results. There are so many people I’d like to work with, but none of them for the rest of my life.

Thank you for the interview and challenging questions. maria.

www.mariaritaphotography.com
www.facebook.com/mariarita.photography

Interview by Ana Rita d’Almeida 

 

Maria Rita

Maria Rita

Maria Rita

Maria Rita

Maria Rita

Maria Rita

Maria Rita

Maria Rita

Maria Rita

Maria Rita

Maria Rita

Maria Rita

Maria Rita

 

Club Pompadour mit MASOMENOS Live + Dj Set – 08.06.12 @ Pratersauna

CultureEvents

Masomenos

 

Unbedingt vormerken für nächsten Freitag! Das symphatische Duo Masomenos wird dann nämlich in der Pratersauna mit deepen, atmosphärischen und psychedelischen Beats für einen musikalischen Hochgenuss sorgen. Das Pariser Duo bestehend aus der Grafikdesignerin und Djane Joan Costes und dem Produzenten und Toningenieur Adrien de Maublanc ist übrigens auch abseits der Musik und ihrem hauseigenen Label „Welcome To Masomenos“ äusserst kreativ. Sie besitzen einen eigenen Shop in Paris in dem sie ihre T-Shirt Linie vertreiben.

Wir verlosen 1×2 Tickets für dieses Event. Bitte einfach ein Mail an contact@c-heads.com (Gewinner wird am 07.06 verlost und schriftlich benachrichtigt)

 

Line up:

MASOMENOS (4 hours live + dj set)
Crazy Sonic (flex)
Thomas Grün (club pompadour)
Ilyas Heckmann (club pomapdour)
Philipp Blecha (club pompadour)

Info:
- Em Liveübertragung der Eröffnungsspiele im Garten
- www.pratersauna.tv

Location:
Pratersauna
Waldsteingartensstrasse 135
1020 Wien

 

Lola Hoop (nsfw)

Culture

Summer, sun and a pretty girl. Always a combination of promising success. And how can someone do the Hula Hoop in such a sexy way? Last time we tried that we looked like a helpless, frantic, jittery someone trying not to let the Hula fall down- we are glad no one watched. Well, we could watch Lola Viande forever while she swings her hips smooth like a cat  flattered by the ray of sunlight on a Paris rooftop. Video by Le Tag Parfait, a webzine about porn culture; realization by Pierre Lapin & Guilhem Malissen and music by Renart – Au Matin, La Mort De L’Astre.

 

Corrine Jade Noel

ExclusivePhotography

Corrine Jade Noel

“Follow your Dreams” says Corrine Jade Noel, a young talented Brighton and London based photographer with an eye for cool, sexy and vibrant images. So true- nothing more important than to follow the desireof your own heart. 

 

What do you want to capture in your pictures?
Most of my photography is fashion related but I also like documenting my friends lifestyles which gives me some great shots as they are unaware most of the time, im thankful they put up with it. At the moment I am enjoying incorporating a lot of colour and magical atmospheres into my photos.

Where do you get your inspirations from?
Im inspired everyday by everything. Most of it comes from just walking outside and being around my friends. I also use a thesaurus on the odd occasion, it really helps!

All your images have such a cool analog look. Which equipment do you use?
I actually use a DSLR most of the time but sometimes I also use an old german camera or a point and shoot! I love film but it can get really pricey when your a student!

You favorite places in London/Brighton?
Weekly regulars at a club called Audio in Brighton and if we havent had enough by the end of that we head down to the tube which is a small underground club on the beach! I couldn’t choose my favourite place in London, I love the whole city, I will be moving there next year :)

The most important thing in life is?
To follow your dreams.

Where do you see yourself in 5 years?
Thinking about the future makes me nauseous, but I would love to see my work in more magazines and go from there :)

www.corrinejadenoel.com
www.facebook.com/corrinejadenoelphotography

 

Corrine Jade Noel

Corrine Jade Noel

 

Corrine Jade Noel

 

Corrine Jade Noel

 

 

Corrine Jade Noel

 

Corrine Jade Noel

 

Corrine Jade Noel

 

Corrine Jade Noel

Corrine Jade Noel

Corrine Jade Noel

 

Corrine Jade Noel

 

Corrine Jade Noel

 

Corrine Jade Noel

Corrine Jade Noel

Corrine Jade Noel

Corrine Jade Noel

Corrine Jade Noel

Corrine Jade Noel

Corrine Jade Noel

 

Corrine Jade Noel

Corrine Jade Noel

 

Corrine Jade Noel

 

Corrine Jade Noel

 

Corrine Jade Noel

 

Corrine Jade Noel

 

Corrine Jade Noel

all images © Corrine Jade Noel

 

FESCH`MARKT 2012

CultureEvents

Exactly six months ago, we have talked with the charming Bernadette Schmatzer – one of the four organizers of the Vienna Fesch’markts. Which you can still read here by the way. We remember it was quite cold at that time – the May this year is so much more attractive with its warm summer temperatures.

Show Angewandte 2012

EventsFashion

The 6th of  June marks the date again: Show Angewandte 2012 will take place for the twelfth time. After the great performances last year we are really ready for this. If the sujets are familiar to you, you are definitely correct – it seems they simply got pulled wildly through the copier. Yeah – Recycling is cool! Like last year, – for all the once staying at home there will be a live stream (of course here at c-heads.com as well).

Am 06. Juni ist es endlich wieder soweit: Die Show Angewandte 2012 wird zum bereits 12. Mal über die Bühne gehen – und nach den wirklichen schönen Darbietungen vom letzten Jahr sind wir auf heuer schon richtig gespannt. Falls euch die Sujets irgendwie bekannt vorkommen liegt ihr definitv richtig – diese dürften anscheinend einfach wild durch den Kopierer gezogen sein. Ja – Recyling finden wir super! Wie schon letztes Jahr gibt es auch heuer wieder einen Live-Stream (natürlich auch hier bei uns) für alle daheim gebliebenen.

Unseren Nachbericht gibt es hier. / Review here.

 

Martha Foremniak by Maria Ziegelboeck

Martha Foremniak by Maria Ziegelboeck

Details and tickets:
Show Angewandte 12
6. Juni 2012 @ ehemaligen Anker Expedithalle
Puchsbaumgasse 1C, 1100 Vienna, U1 Station Reumannplatz
open 19:30 h start 20:30 h
Tickets: pre-sale on 24. and 31. Mai 2012,
15:00 – 19:00 h at Aula der Universität für angewandte Kunst Wien
or via: tickets_show@uni-ak.ac.at
VVK 19 €, AK 26 €

 

SOUND:FRAME festival: Behind the scenes

CultureEventsMusic

It has been a month since Vienna hosted one of the most exciting spring festivals – Sound:frame. Although I was unable to attend and write a review, I decided to at least get an interview with the people without whom the festival would not have happened at all. Thanks to Eva Fischer (curator and founder) and Natascha Fuchs (international communications) you can read and find out how a festival like that can be realised, where they get their inspirations and lot of other interesting things…

Hello Ladies, thank you for joining us to conclude the sound:frame series of interviews. So, how was Sound:frame in 2012?

Eva: Hello there! Thank you for the interest! Sound:frame 2012 was amazing! It was a great success – , the artists were brilliant, the exhibition was interesting, the team was great and many of our events were sold out. We are so happy that everything worked out well! And we are looking forward to the next year already. After the festival is before the festival.

Natascha: It’s already a month gone since the festival has finished, but I still feel the energy of Sound:frame! It was such a pleasure to work within the team this year and see how people enjoy what we prepared for them. The festival is growing year by year and all those who didn’t come this year to participate Sound:frame in Vienna have to do that next year definitely!

Is there any special artist who really got you this year?

Eva: So many of the artists actually really got me. I guess that I enjoyed the fact very much, that the collaboration between the musicians and the visualists was so fruitful. For example Taylor McFerrin and Valence worked together in such a brilliant way.

The combination of his live sounds and their live visuals was just mindblowing! Also what Andreas Koller (Strukt) did for Lapalux was fascinating! The mapping installation by Bildwerk at the Fluc was awesome! I should name many more… It’s so hard to tell just a few. John Talabot and Elektro Guzzi maybe touched the crowd most, I guess…. People were screaming and dancing and did not want it to stop. That was wicked! The BOILER ROOM evening was great – brilliant DJ and LIVE sets and amazing visuals by LWZ and woei! In terms of the exhibition the work done by Depart really touched me. What a great piece of AV art!

Natascha: I have the same feeling about Depart, I was quite excited to see what they will show this year after last year’s amazing artwork and I was not disappointed. And all the other AV artists participated our exhibition at MAK Museum are just great. It was great to have Herman Kolgen and Robert Henke on board. As for music – I am definitely touched by Jacob KornFantastic Mr FoxZanshin and guys from Leisure System. They all play in different genres and that is what I love about sound:frame: you get so many nice alternative touches at once.

 

Eva-Fischer-and-Natascha-Fuchs

How do you choose the artists for the festival? Do you accept any artist submission or you ask them directly?

Eva: Well, actually I do a lot of research, visit other festivals and events and get to know a lot of music and audiovisual approaches online. Soundcloud, XLR8R, pitchfork, and all that sort of pages…. Also facebook tells a lot. I got many friends that are into music or visual and video art and show me all kinds of new stuff every day. On the other hand meanwhile I am working together with several booking agents who present me their newest artists or the newest releases. And naturally I got a lot of submissions and am very happy about the few real good ones that I can include within my programme every year!! It’s always also very important for me to work together with the local heroes. It’s about the network. I like it when new collabs are being fixed because people met at the festival.

Sound:frame has quite similar concept as Unsound festival or Sónar. Do you visit these or similar events for some inspiration?

Eva: Yes! Actually I have to admit, that I never saw Sónar and did not make it to the Unsound Festival so far – which I really, really want! But we collaborated with the CTM/ transmediale in Berlin, the Elevate Festival in Graz, the Mapping Festival in Geneva, Wilsonic in Bratsilava, the MoTa Spring Festival in Ljubljana or the Donaufestival in Krems. I’ve seen the World Wide Festival last year and this year’s also fixed already. I saw the BOILER ROOM live in London and Berlin and many festivals and events and more! Also Vienna has got a lot of good events. I hope that I will make it to the Unsound soon. Heard just good things about it and I actually follow them on the internet as good as I can.

Getting inspiration is a very important thing! And collaboration as a second step is a very nice, useful and important thing also. That does not mean that one is starting to exchange programmes and have the same bookings which would be boring… It’s more about the discourse and about media collaborations. We can all learn from each others expertises.

Natascha: Visiting other festivals and getting inspired is actually the most important part of my professional activities. I love to travel so much and very happy that I can combine my travels with pleasure to participate music and media art events worldwide. I go regularly to Sonar in Barcelona, Transmediale in Berlin, Ars Electronica in Linz and had collaborations with lots of the others. Gathering people from the scene together and arranging possibility of international exchange (professional one particularly) is a great mission of every festival.

Do you have similar music taste (meaning you listening to artists which you present at the festival) or you prefer to listen to something completely different in your free time?

Eva: Actually I have to admit that I book what I also love in my free time. And I am always very excited about having all these artists here in Vienna. I decided that Sound:frame should not follow the goal to present a main-act booking and to bring all the big names to Vienna in order to get a bigger and bigger crowd every year. I am very happy about the fact that we can book acts who are not so well known yet. I guess that meanwhile our crowd kind of like trusts in the Sound:frame booking… I don’t know. I always hope that everyone enjoys as much as I do.

Natascha: And we don’t forget about classics or jazz roots in a free time. We educated on good music I would say! People with bad taste don’t make good festivals :)


soundframe at fluc

 

How did you established the Sound:frame team? Did you know each other from the beginning or…?

Eva: There is one person -  Romana, our audio technical director – who is actually part of the Sound:frame team since the very beginning. Some people also joined within the first one or two years. Actually within the last few years we grew together very strongly and built something like a core team. The Sound:frame family is getting bigger every year and we get great new team members. Some people leave… that’s normal I guess. But I always have to say that we are the best team ever! We have been working out our own structures without any institutional help and I am very proud about the fact that we developed some well working structures over the years. It was not always easy but I guess that we found a great way of working together! CREW LOVE IS TRUE LOVE ;)

Natascha: Probably I am one of the freshest team members as I joined Sound:frame this year. But we had some collaborations and nice experience before, and I would say it happened not just by chance. I feel my story with Sound:frame and Eva personally as a planned development of the Universe will :)

How does look like your usual day with sound:frame?

Eva: It’s like a normal office day, usually. A lot of meetings, a lot of e-mails, a lot of team discussions….  Also the free time is often work. It’s about networking and visiting other festivals or events. Well, and in the end everyone is waiting for the festival to come. After the festival then everyone remains speechless – “That was it?! It went soooo fast!! Oh my god, I want it to come back!” Haha, at least this year that was the case.

Do you have any plans for the future? Like making the whole festival bigger, adding more visual artists, exhibitions, etc… ?

Eva: There are many plans, yes! But instead of making it bigger my greatest goal is to make it work better every year and stay open to change the concept at any time. It’s not about the size…. I would like to stay free to realise new ideas and bring together new concepts and artists every year. I guess that one of the plans is to expand the international network.

Natascha: Yes, expanding the international network and bringing international awareness is something we are concentrated on now. There are so many outlines which have to be embodied. And I agree – it doesn’t mean Sound:frame Festival has to be bigger. From my point of view educational imput is something important. It’s a need and request from contemporary society in direction to initiatives like Sound:frame Festival and would be great to reply to it in a proper way.

When do you start to prepare the next Sound:frame?

Eva: After the festival is before the festival. I am already working on the concept for 2013.

Natascha: And the team supports you in that :) To make all our dreams come true we work constantly and it’s ongoing process for everyone!

Is there any artist who you really would like to invite to Sound:frame and he/she is unattainable?

Eva: Phew! There are many! I have been trying to book SBTRKT or Little Dragon for some years now for example… Also AntiVJ would be great again…. It never happened because of schedule reasons or something like that. And now I am afraid that they are getting too expensive for us… What a pity! But oh well, there are so many brilliant artists out there.

 

boiler room at soundframe

I am curious.. how is the financial background? Do you get support from the EU or Ministry of Culture?

Eva: We do not get support from the EU since it was too complex for us to submit fundings so far but we would like to try in the future. We are getting support by different institutions like the City of Vienna, “departure” – the Creative Agency of the City of Vienna, the Austrian Economic Chambers of Vienna or the Austrian Ministry of Culture. I am glad that we have these institutional partners such as industry partners like Concept Solutions, Klangfarbe or Ottakringer (a Viennese beer brand) by our side. All together the different kinds of fundings and sponoring deals and the commitment of the Sound:frame team and of all the artists make the festival happen.I still really hope that we can work out a realistic budget once. Everyone in the team is still working for small fees that bear no relation to the efforts they take.

Ladies, I believe it`s enough of serious talking. One simple question… what makes you happy?

Eva: Hmmm, that’s not the easiest question to answer actually… so many things…. I guess that everything can make me happy in the end. That might sound stupid but if I learned one thing during the last few years, it’s the fact that even if there are shit, shit, shit times, they can make you stronger – at least if you let them. You do not have only good times when realising a project like that. Or whatever – it’s not only about the “project”. You do not only have good times. Many people don’t like what you do or how you act and try to intrigue. That can be very frustrating. But in the end you will never be able to suit or please everybody. So often things evolve different then you wish. In that case you have to stay flexible. That’s hard work but as soon as you can accept this everything is still getting easier at the end of the day. The most important thing is the teamwork, are your good friends, your family. And yourself obviously. Understanding and accepting that point makes it much easier to be happy ;) At the time I have the feeling as if happiness was something that – in terms of awareness – you’ve got to work hard for… But it’s always work that you do for yourself!


Natascha: Yeah, good relationship with yourself is the basics for everything. I am happy when I don’t lie mysef, enjoy myself, feel myself healthy and powerful. That gives me a chance to create the right surrounding, have family, be in touch with the right people and work out the best projects. So to be happy I have to keep an eye on me :) Every minute of every day!

What was the biggest live lesson for you so far?

Eva: Man! I am still learning… Every day! But that’s maybe one of the big lessons one can learn… to accept this very process. You will never be perfect. It’s just about trying to act to the best of your knowledge and beliefs at any time. One year later you will definitely look at things in a different way. But that’s okay! Don’t be ashamed of what you did years ago ;)

Natascha: Hah :) My biggest lesson sounds like “You never know”. But it doesn’t mean I am just flowing and don’t plan the next steps. It means that I learnt to trust life and nature more than my (sometimes too much) overloaded brain :)

What does the art mean for you?

Eva: Art means a lot to me. It’s about expressing meanings, it’s about inspirational processes, it’s about touching people and getting touched. One of the most important things might be that art is another way to communicate and express thoughts or emotions. What I like about interdisciplinary art forms like the audiovisual apporach is that artists are getting together in order to create something new. It’s not always easy to work together with other people and one should never lose sight of his or her own aims. But when two strong collaborators find each other it can be very inspiring.

Natascha: It’s a way of life and there’s just nothing more I could be dedicated to. Art is freedom! It’s probably the only one and unique area where you can discuss all types of problems in a different planes with interested people. Interested for real.

Would you like to tell us anything else?

Eva: Thanks for the interview!! And all the best for C-Heads.com!! See you soon!

Thank you again, ladies… and I really hope to see ya on Sound:frame 2013!

Interview by Simona Hypsová

The selfportraits of Flora P. (nsfw)

CulturePhotography

Flora P.

A self-portrait is probably one of the most significant artistic possibilities to deal with the own personality. Due to the separation of another person, the view is completely directed from the outside to the inside - a self-representation and analysis of the own person and the environment through role playing. The beginnings of artistic self-portraits can be found already way back in Egyptian art. And for sure everyone knows Andy Warhol.  His pop-art aesthetic self-portraits had the intention to make himself famous and rich like the Hollywood stars who he had portrayed. The 28-year-old Austrian Flora P. has been posing naked for some years now already - and always by herself. She lolls soft through fields of flowers, in front of the New York skyline or in the midst of a grazing flock of sheeps. Always in harmony with the surroundings in which she seems to elapse. ”My nakedness is maybe at first sight in the foreground, but after a closer look at the photos the face and attitude come into focus.” she says in an interview. Enchanting!

Ein Selbstportrait ist wohl eines der bedeutsamsten künstlerischen Möglichkeiten sich mit dem eigenen Ich bewusst auseinanderzusetzen. Durch die k0mplette Loslösung eines Zweiten, ist der Blick vollständig von aussen nach innen gerichtet. Eine wahrhaftige Selbstinszenierung  des Ichs; oder eine Spiegelung der Umwelt durch z.B. Rollenspiele. Die Anfänge künstlerischer Selbstportraits liegen bereits in der ägyptischen Kunst zurück. Und auch einen Andy Warhol kennt wohl jeder. Dieser verfolgte die Absicht ihn mit seinen Pop-Art-Ästhetik Selbstporträts berühmt und reich zu machen wie die Hollywoodstars, die er mit Vorliebe wunderbar porträtiert. Die 28-jährige Österreicherin Flora P. posiert nun schon seit einigen Jahren nackt – und immer für sich selbst. Dafür räkelt sie sich sanft in Blumenwiesen, vor der New Yorker Skyline oder inmitten einer grasenden Schafherde. Immer harmonisch eingebettet in die Umgebung mit der sie zu verfliessen scheint. “Meine Nacktheit steht auf den ersten Blick im Vordergrund, aber bei näherer Betrachtung der Fotos kommen Gesicht und Haltung in den Fokus.” sagt sie in einem Interview. Bezaubernd!

www.florap.com

Flora P.

Flora P.

Flora P.

Flora P.

Flora P.

Flora P.

Flora P.

Flora P.

Flora P.

Flora P.

Flora P.

Flora P.

Flora P.

Flora P.

Jean-Philippe Lebée

Exclusive

Jean-Philippe Lebée

Images as touching as a great piece of music. Pure moments, sometimes thoughtful and other times full of laughter, charming details, beautiful light and always with a feeling of intimacy. So we wanted to know more about the artist behind the images we fell in love with. Jean-Philippe Lebée, the talented, Paris based photographer allowed us a little insight about himself and his inspirations. And please, can anyone give me this cat!?

Describe yourself in 3 words?

Unsatisfied, passionate, productive

Your pictures are wonderful moments of youth, life, love, -What is the fascination for you to keep moments of life on a photograph?

I like to take moments of life on photographs, it’s particulary close to my heart, it’s also a part of the reflection of my life and those around me. I am someone who loves meeting new people.

You also have some self-portraits on your site – you come across very thoughtful and dreamy on them ( and attractive of course ;) – are you a dreamy and thoughtful person?

I would not tell it like that, I am rather a sensitive person, concerned about details, and of course I am a dreamer. I often have a lot of things spinning in my head, ideas about new pictures or staging of colors, shapes, full of things.

You are shooting analogue right?

Yes, I have done some analogue pictures, because I am inspired by those colors when I touch up my photographs in post production.

Are the models on your pictures friends of yours?

No of course they are not friends, they are people meet on the web.

Your inspirations?

Matias Troncoso, Bryan Sheffield, Yury Trofimov, Beulah Anne, Russell Dreyer, Rockie Nolan, David Pexton.

You are based in Paris -is that where you are from?

Yes, I have been living in Paris for 2 years. I am from Oise in Picardie (of the north of Paris).

What do you like most about Paris?

Roofs of Paris, river Seine, people, evening, restaurants, architecture, life.

5 things you cannot live without?

My camera, a pair of shoes, forest, sun and a drawing book.

Your philosophy of life?

I cried when I was born and every day of my life shows me why.

www.jeanphilippelebee.blogspot.de
www.jeanphilippelebee.com/Home.html
www.facebook.com/jeanphilippelebee 

 

Jean-Philippe Lebée

Jean-Philippe Lebée

Jean-Philippe Lebée

Jean-Philippe Lebée

Jean-Philippe Lebée

Jean-Philippe Lebée

Jean-Philippe Lebée

Jean-Philippe Lebée

Jean-Philippe Lebée

Jean-Philippe Lebée

Jean-Philippe Lebée

Jean-Philippe Lebée

Jean-Philippe Lebée

Jean-Philippe Lebée

Jean-Philippe Lebée

Jean-Philippe Lebée

All images by Jean-Philippe Lebée

 

Dubfire´s new Essential mix

CultureMusic

Yes! One of our favorite producers and DJ´s ever- the great Dubfire -returns to BBC Radio 1′s Essential Mix! As one half of the Grammy award winning duo Deep Dish, Ali Shirazinia aka Dubfire was already highly successful- together with Sharam Tayebi they have produced smashing tracks such as ‘Flashdance’ and ‘Say Hello’. As a solo artist and owner of his label Sci+Tec he can show his love for the more dark and underground sound. The new essential mix can´t leave you cold when you love it deep, dark and trippy. And it is more than great that he has also incorporated his next single called “Octvs” which will be released early next month. Amongst other rare techno-pearls he also used “Liberty City – If You Really Love Someone (Murk Groove)” which is an older house track from 1994. Massive!