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Sigrun

787 posts
Hello from Berlin! I love freedom, travelling, long train rides, Stefan Zweig books, cats, colours, writing postcards, music, and movies à la Woody Allen and Wes Anderson. What makes me really happy is the seaside, sunrises and sunsets and having lots of time!
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“Wicker Woman was my return to myself” — Freya Ridings on Power, Vulnerability, and Reclaiming Her Core

“Wicker Woman for me was a return, a reclaiming and trying to embody the empowered feminine that I saw around me growing up from my mother and my grandmothers. I saw fiercely independent, beautiful, fiery, funny, strong women, and I think for me I felt in myself — especially over the last sort of few years — a kind of weakening and a people-pleasing that was really frustrating to me. And especially with making music, you can’t really come from that mindset,” Freya Ridings tells me the inspiring and very personal story behind her latest, magnificent song Wicker Woman — a hymn to reclaiming the original feminine force, written by Freya and recorded with Jennifer Decilveo at Beach Tree Sound Studio in LA.
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Between Water and Words — Elinborg Releases “Blood”

The summer days are fading, and the darker season draws us into quieter hours — a time of year when music often carries more depth. Today, Faroese artist Elinborg releases her new single “Blood” via Embassy of Music, a deeply personal song written about the loss of her father. Originally part of her debut album Í Ævir (“Forever”) and sung in Faroese, the track now appears in English for the first time, allowing a wider audience to step into its emotional world.
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Breaking Boundaries: NLI talks saying no, her debut album, and choosing the uncomfortable

NLI is a London based producer and artist who places creative integrity above everything else. She only takes on projects that fully align with her artistic vision – completely uncompromising when it comes to creating something she can truly stand behind. For her, art comes before convenience, before expectation, and before anything that would dilute her intention.
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An Invitation to Slow Down and Listen Closely: Stavroz Return With Take a Seat

With Take a Seat, Belgian quartet Stavroz return with their most focused and free work yet. The 14-track album drifts through dusty deserts and humid cities, all while holding onto the warm, acoustic-meets-electronic sound that defines the band. Written partly on the road and finished together in a countryside studio, the record carries both the movement of travel and the calm of retreat.
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In Conversation with Monolink on “The Beauty Of It All”

“It was a journey of rediscovering the joy of making music within myself,” Monolink tells us — a feeling that runs through the whole album. Written in retreat, surrounded by stillness and nature, The Beauty Of It All is perhaps his most personal work to date, moving between acoustic fragments, pulsing electronics, and moments of breathtaking fragility.
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Music Made of Quiet Moments: Zimmer90’s Debut Interior

An intriguing melody and poetic lyrics drift toward me from ‘Til The Morning Comes’ by Zimmer90, taken from their long-awaited debut album ‘Interior’, out today on Bamboo Artists. With their breakout track What Love Is, which rightfully went viral last year, the German indie-electro band — based in Freiburg — captured the hearts of indie lovers worldwide, myself included. And now they return with something deeply personal —‘Interior’ is an album born in the quiet after the storm.
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Behind the Beats: MATRAKK on Community, Starting Fresh, and Owning the Moment

Changes aren’t always easy — but sometimes, they turn into something remarkable. For MATRAKK, Coming Back feels like one of those moments. The title couldn’t be more fitting. For him, music is about energy — it has to move you, stir something inside. “Coming Back marks a new era for me: more groove, more melody, more emotion but still a lot of energy.”
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On the river of dreams: Juliette Armanet and Sofiane Pamart Reimagine ‘Imagine’

In a moment suspended between myth and memory, the River Seine became a stage, a dreamscape, and a prayer. On July 26, 2024, the world watched as Juliette Armanet and Sofiane Pamart delivered a hauntingly intimate performance of John Lennon and Yoko Ono’s Imagine at the Olympic Games Paris 2024 Opening Ceremony. Now, almost exactly one year later, the live version is being released to streaming platforms—allowing the world to once again float along that drifting stage of music, fire, and fragile hope.
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Behind the Beats: SHOUSE’s “Collective Ecstasy” Is a Celebration of Connection

“It’s nice to think about this album as a bit global, but mainly Melbourne,” reflect SHOUSE on their just-released and long-awaited debut album, Collective Ecstasy. Created almost entirely in Melbourne, it brings together bursts of brass, intimate moments from studio jams, and contributions from friends across the globe.
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Video Premiere: A Strange Little Love Story in a Blurred Reality: Mercy Land’s ‘Get Lost!’

From the first notes of “Get Lost!”, a hypnotic beat sets in—dark, propulsive, and strangely inviting. The track pulls us into Mercy Land’s world with a mischievous wink and doesn’t let go. The song is a wild ride—a little dark, a little twisted—shifting gears across genres, tempos, and emotions. It’s an alt-dance track that pulls you into its own uncanny rhythm and doesn’t let up.
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“I’ve dared much more to simply be.” Vanessa Wagner – A Dialogue in Sound and Light

There’s a stillness that pulses beneath repetition. A tension that builds in simplicity. In Étude No. 2, Philip Glass offers a space where restraint becomes poetry, and French pianist Vanessa Wagner enters it with luminous clarity, shaping each phrase with intimacy and breath. Known for her virtuosity and unmistakable elegance, Wagner brings rare refinement to everything she touches.
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Premiere: eggcorn’s Observer Effect on Growth, Sound, and Solitude

With her new album release, Bay Area artist Lara Hoffman, alias eggcorn, challenges both herself and the listener to take a look inward: Observer Effect explores the inevitable ways in which we alter our own experience through reflection. Written in part during a period of physical immobility after a foot injury, the opening tracks “Observer Effect” and “Solo Party” delve into themes of isolation, healing, and identity.
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bat zoo’s Diamond Lanes captures the feeling of something beautiful slipping away

There’s a tender tension running through bat zoo’s music — a sense of holding on while knowing you might have to let go. His new song Diamond Lanes, premiering today on C-Heads, captures that exact feeling: watching something beautiful drift out of reach, even when you try your best to keep up. Its warm, laid-back production contrasts with the aching sense of distance at its core.
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“It’s About the Beauty of Contrasts and Moods”: Klangphonics Capture It All in Perfect Opposure

Klangphonics – the German trio shaking up the electronic scene with their unique mix of house, techno, and acoustic vibes. With their debut album Perfect Opposure out, Maxl, Ben, and Markus are currently on tour across Europe and North America, bringing their unpredictable sound to the stage. What started as a DIY project and playful Instagram moments with vacuum cleaners and coffee machines has turned into a global movement.
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Rave Stories and Real Feelings – An Interview with Kiimi

“Words are powerful! Coming from a background of making and listening to pop and more lyric-driven music, writing lyrics feels natural to me,” says London-based producer, vocalist, and multi-instrumentalist Kiimi, speaking about the importance of lyrics in music as a key factor in writing honest songs.

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