Print: C-Heads Magazine “The Little Things” Volume #39
This edition is a love letter to the simple joys, the human warmth, the in-between moments that often go unnoticed. Fall in love with life, art, nature, humankind—everything gets easier when we truly see one another, and when we sense the beauty all around us. In all these little things, that’s when the magic begins.
Following Her Own Rhythm: Fleur Shore on Dark & Light, Undergrowth and Creative Freedom
Fleur Shore is not someone you can easily put into a box. Even in her childhood days, she was the kind of person who simply did things differently. That somehow feels very familiar. For some people it just seems to be written into their path. And maybe also into the places and scenes they grow up in as artists.
Maro and Shai Maestro Open the Doors of The Guesthouse with “Gloria”
There’s a kind of music that feels like sunlight through sheer curtains – calm, warm, and full of possibilities. That’s also the mood in Gloria, the new single from pianist and composer Shai Maestro’s forthcoming album The Guesthouse, out March 6th via Naïve Records. Portuguese singer Maro’s haunting voice floats across Maestro’s intricate piano lines, creating a conversation of vulnerability, grace, and intimacy.
Salt & Silence
In the warmth of a January evening by the Cape Town sea, Laura, who is Irish and now lives and works in Amsterdam, stepped into the last light with an effortless sense of self. Styling the shoot herself, everything felt instinctive and personal.
Premiere: “Perfection isn’t the point of art.” Jonathon Penn on Wildfire and the Beauty of Imperfection
In a world that constantly strives for perfection – where technology smooths every edge and the rise of AI can erase even the smallest mistake – the beauty of the handmade and the imperfect feels more meaningful than ever. It feels human. Like a ceramic cup shaped by hand: its tiny irregularities are exactly what make it unique.
Ayelle Interview: A Love Letter to the Body, Hope and Self-Trust
We often only understand the value of something when it begins to slip through our fingers. It’s a lesson most of us learn the hard way at some point in life. Painful, yes. But sometimes also clarifying. A reminder to pay closer attention, to care more deeply, to move differently. With Higherselflove, Ayelle turns this realisation into music — exploring what it means to rebuild trust with yourself after things fall apart.
Lost in Bangkok
A tuk-tuk hums forward like a stubborn memory, its small TAXI sign flickering against the dark. Beside it, a motorbike cuts through the humid air — two figures, helmets reflecting the city’s heartbeat. Bangkok does not sleep. And somewhere between all the noise, Jash Manuel met Supassarra to discover the city through her eyes.
Laura and the Long Afternoon
Time moves so fast — weeks turn into months, and months eventually become years. All the more beautiful when people return to our lives who, for far too long, haven’t been part of the journey. Stephen Tilley is back with a new C-Heads exclusive series starring the gorgeous Laura Snelling of Unique Models photographed in New Zealand in a private home by the lake.
Lost in a Story
The year is already nearly two months in, yet it still carries that feeling of a fresh beginning. Today we’re sharing a sensual series starring Silke, photographed by Tim Batist — a story centered around quiet moments, reading C-Heads, and giving the soul a moment to glow.
Crowds Exhibition – Early 2000s, Seen From the Stage by Nick Zinner
A time without phones, social media and constant documentation already feels unreal. Hard to imagine how people met with just one plan, stayed for hours, or simply shared a moment without recording it. New York musician and photographer Nick Zinner – best known as guitarist and songwriter of the Yeah Yeah Yeahs – captured exactly that atmosphere in the early 2000s.
1tbsp Talks Soulseek, Community And Connection With Soltera
Music doesn’t arrive as a fixed idea — music is movement, inspired by cities, feelings, late nights, and the people orbiting around them. Australian producer 1tbsp builds his world exactly there, somewhere between club energy and emotional instinct. His new single Soulseek, created together with Soltera, captures that tension: intimate yet explosive, playful yet searching.
A Glimpse into Vol. 37 — A Day in Munich by Emanuel Klempa
Munich-based photographer Emanuel Klempa moves effortlessly between intimate portraiture, sensual moments and strong commercial or editorial work. It is important to him that his images tell a story — ideally yours. His visual language feels clear and honest, often shaped by natural light and other times built around strong concepts.
Three Girls and a Secret Weekend
The fog arrived first. It climbed the trees slowly, like memory – patient, deliberate, unwilling to be noticed until it had already surrounded everything. The chalet in Courchevel, Le Hameau de Marcandou, stood inside it, wooden and warm, breathing faint light into the pale morning. Somewhere inside, water moved. Laughter too. The kind of laughter that only exists when you briefly forget the world outside exists.
Choosing To Be Seen — Meeting Kily Shakley
Meeting Kily Shakley feels a little like stepping into another world, where reality softens and character, memory and imagination start to blur. There is something cinematic about the way she speaks about burlesque: not as spectacle, but as a place of refuge, a language, almost a personal mythology she keeps expanding with every appearance.
Learning to Simply Trust – Inside YAGUT’s Debut EP EGO
The music of Berlin-based artist YAGUT is pure feeling – tender, soft, and full of inner landscapes. Today she releases her debut EP EGO, together with the title single “Ego,” inspired by the idea that change does not begin in the outside world, but within. It’s about presence: observing consciously without getting lost in thoughts, choosing responsibility over blame — a message that, honestly, feels like something society could benefit from.
The Moment Anyway – A Conversation with Kelly
Today, our attention turns to Kelly — to the responsibility of “deciding who you become when crisis no longer gives direction.” After a cancer diagnosis came treatment, and then the unfamiliar after: the moment when the medical structure falls away, and you’re returned to life without instructions. Nothing comes back the same. As she puts it, “Survival didn’t feel like a finish line. It felt like renegotiation.”