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Music

1842 posts

Music is love and love is music

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Fifteen Years of Gov Ball Magic: Connection, Rainbow and Festival Fever

For its 15th year, The Governor’s Ball showcased why it’s one of New York’s biggest and best Music Festivals. Hosting over 50,000 people, Governor’s Ball flawlessly created an atmosphere full of culture and amazing music (for the first and last day). Unfortunately, day 2 was riddled with rain and a 4 hour delay that caused some harsh feelings in people. However, despite the thunderstorms, festival-goers had the opportunity to see all of their favorite artist back-to-back-to-back under a rainbow if they chose to.
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A Summer with Milky Chance, Passion, and a Cover by Dua Lipa

Passion, to me, is the thing you do — not because you have to, but because you deeply want to. It’s the urge to create, to move, to express something that won’t let you rest until it’s real. And when Milky Chance drop a track called “Passion,” they don’t hold back. It’s vibrant, cheeky, and unapologetically playful — the kind of song that doesn’t ask for permission to take over your summer. Just watch the video – you’ll get it. It’s not just a song, it’s a whole vibe.
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“Let the Sky Be Blue Again” – A Heart-to-Heart with Funk Tribu

“Azul was written at a really meaningful time in my life… I was thinking of one of those perfect days: the sun is out, the sky is blue, you’re surrounded by people you love, and everything just feels right. One of those rare moments you know you’ll carry with you forever.” And that’s exactly what the young artist Funk Tribu manages to capture.
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Munan on Everything in Between: Songs for the Soft Unknown

The morning light falls across an unmade bed, the corners of a book still open from the night before. Somewhere in another room, water begins to boil. Dust dances in the air like it’s moving to a rhythm only the heart can hear. Everything in Between begins like this — not with a bang, but with a breath. It steps into the room quietly, like a thought you’d almost forgotten but suddenly need to feel again.
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Lightning in a Bottle: Backstage, Onstage, In Between

Christopher Brown’s second time attending Lightning in a Bottle at Buena Vista Lake proved to be even more powerful than the year before. With a lineup that ranged from iconic acts like Khruangbin to emerging artists making their festival debuts, the experience was nothing short of transformative. The Do LaB outdid themselves this year, creating a vibrant, immersive world that celebrated music, art, and community in full force.
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“Don’t Forget to Have Fun” – An Interview with Saguru on Sunset, Change, and Moving On

“We live in a finite world, and every relationship, every life will eventually come to an end. Often, in the daily grind, we lose sight of what really matters.” This reflection by Saguru lingers like the fading light of day — honest, grounding, and quietly comforting. Saguru’s new single “Sunset” is a beautifully dreamy piece that lets you drift off for a moment — into thought, into memory.
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Introducing NEEA: An Interview on Her Dreamlike Debut Enerqì

There’s something rare about discovering an artist like NEEA. Her debut release Enerqì is a quiet jewel — it opens like a film score, drawing you into a cinematic atmosphere that feels both intimate and expansive. The song flows like a dream: soft, silken sound layers gently carry you into a state of stillness. Just as you settle into its calm, the track takes a turn — inviting a looser, jazz-tinted motion that feels both grounded and free.
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Premiere: eggcorn’s Observer Effect on Growth, Sound, and Solitude

With her new album release, Bay Area artist Lara Hoffman, alias eggcorn, challenges both herself and the listener to take a look inward: Observer Effect explores the inevitable ways in which we alter our own experience through reflection. Written in part during a period of physical immobility after a foot injury, the opening tracks “Observer Effect” and “Solo Party” delve into themes of isolation, healing, and identity.
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LUM: Between Rhythm and Reflection — A Conversation on Art and Life

“Whether music or painting, I never approach creation with a formula or expectation—I simply let what burns inside come out.” There’s a quiet intensity to LUM—born Sebastián Gandine—that doesn’t demand attention, but draws you in. His life is guided by change, shaped by solitude, and rooted in a deep relationship with nature and spirit.
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“The Melody Is Already Telling the Story” – A Conversation with Dylan Dunn

“If you were aware you were living your best memories, life could start to feel staged and fake.” Dylan Dunn says this simply, but it lands like truth — one of those quiet reflections you don’t forget. Raised in Memphis and now rooted in California, Dylan has found his way through sound — led not by formulas, but by emotion. He writes songs that feel like they’ve been lived in, guided by melody first, story second.
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Videopremiere: Luke Noa’s Demons — A Ferris Wheel of Feeling

“Demons”, the final single from Luke Noa’s upcoming debut album Début, is a melancholic daydream that explores the quiet companionship of our inner demons. With only piano and guitar, the sparse arrangement lets Noa’s distinctive voice take center stage, unfolding a deeply emotional narrative. The accompanying video, featuring actress Anna-Lena Schwing, offers a bittersweet visual that perfectly echoes the song’s haunting beauty.
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bat zoo’s Diamond Lanes captures the feeling of something beautiful slipping away

There’s a tender tension running through bat zoo’s music — a sense of holding on while knowing you might have to let go. His new song Diamond Lanes, premiering today on C-Heads, captures that exact feeling: watching something beautiful drift out of reach, even when you try your best to keep up. Its warm, laid-back production contrasts with the aching sense of distance at its core.
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A Story in Every Window: Listening with JVLY

There are so many windows. So many stories. So many feelings suspended just out of reach. “When you look at a high-rise in the city, there’s a different story in every window. SUNDER paints the story from one of those windows.” That line stuck with me the first time I read it — because it feels exactly like what I’ve always felt.