When we look at these endless images, I wonder, are we seeing these places at all? Can certain repeated images end up devouring the original, the locations themselves? Those places continue to exist, yes, but any confrontation with them now stands in relation to these images. As is so often the case in our sad modernity, a place that once inspired and provided refuge for artists and writers has become a compulsory stop on a destructive trail of unthinking consumption, a place for individuals to declare their existence and prestige.
With our series “An artist’s life.” we want to share the stories of the people behind the art. “My name is Svetlana. I am a professional photographer with over 15 years of experience. I have had the opportunity to shoot in different parts of the world, such as Paris, Lisbon, Venice, Istanbul, the Seychelles, and others, but at the end of each trip, I always returned home.”
“If a vision I have calls for a full set build, I don’t see it as a roadblock—just more opportunity to get creative.” These are the words of Rielly Dunn, a multifaceted talent who dances among roles of photographer, writer, and art director.
Dunn’s photographs tell stories drenched in nostalgia, characterized by a feminine aesthetic imbued with a subtle undertone of longing.
Months before entering this place I had never thought about going to Japan this soon. It was a dream I’ve kept for years. Overwhelmed by the decision to go there I had convinced myself that I needed to make groundbreaking works. While traveling this expectation weighed heavily on me. I felt guilty for not touching my camera several days and after that I came to the realization that nothing will be groundbreaking if it’s not coming from within.
Inspired by nature and her surroundings, Danish analog photographer, Therese Riis, observes that ‘if you compare your work to other people’s, you won’t find your own style.’ A discerning eye for detail and a deep appreciation for the authentic aesthetic of film photography define her work, captured exquisitely in her series, ‘One roll at home.’
Imbued with a nostalgic charm, the following images transport us to Puglia, a place seemingly untouched by the feverish pace of modern life. Captured by the discerning eye of photographer Cara Poyntz, the photoseries – fittingly titled ‘Puglian Breeze’ – paints an intimate picture of Palazzo Daniele, Aquamarea Hotel, Monopoli, and Polignano a Mare.
The photographer, Hila Kadi, regards the island as her muse. She confesses, “To me, this island is a she. She is a guide to freedom and simplicity, to generosity, joy, and abundance. A beckoning to be a better human to myself and, therefore, to the world. She is a roaring sea that commands attention, yet is often overlooked by tourists, dismissed as mere decoration.
Chuck Dong, a seasoned Polaroid photographer, offers an intimate, multi-year glimpse into the evolving world of Eddie Mitsou. Dong, who has been photographing Eddie over four years, has closely observed her transition from modeling to writing, capturing each shift in her journey with a shared Scorpio connection. Now an author, Eddie discusses her evolution, the inspirations behind her book ‘Peaches’, and much more in this candid interview.
The latest collection is a visual homage to the vibrant summers of Cape Town and the ever-changing textures of its kelp forests. These timeless feelings are captured in suminagashi prints of deep Atlantic blue and kelp green.
Marine Toux is a French photographer and video maker based in Paris, whose work often features narratives and stories. Her colorful fragments and portraits of young people are simultaneously melancholic, sensual, and self-assured. We had the opportunity to speak with this talented artist about her photography, influences and creative process.
“I met Rafa on one sunny day in Lisbon in a clothing store, she was working there, and I was just looking around when I saw her. She immediately made an impression on me – so vibrant, so open and positively charged. I always get drawn to people like that and I know that I just need to approach them. So I did.”
“…. we humans tend to seek comfort in conformist behavior. We often choose to give up the ultimate freedom we may have, as it holds certain responsibilities and risks that often cannot be predicted in advance.”
In this interview, Klagenfurt based Amanda deeply reminds us that in a world full of convenience, it is immensely important that we find our way back into connection with nature and the cycles around us. In being connected to her, the more we can hold ourselves in a natural fluid state, which has a pretty big payoff: contentment and creativity.
Living in a society that demands from creatives a constant stream of content. Selling dreams of hustle and perpetual workflow. The concept that true creativity, an exploration of the expanses of our minds and not just commercial remixing of current trends to create aesthetically pleasing designs, can be unlocked through boredom.