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C-Heads Volume 38
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In Conversation with Evalyn on A Quiet Life, new chapters, and finding calm in the chaos

How beautiful silence can feel — anyone who’s ever listened to the sound of waves knows it. The soft rustling of leaves in the wind, the flicker of light between trees — in those moments, the world feels gentle. But the world has become loud. And louder still. In the sheer noise of it all — from social media to advertising to the constant hum of updates and opinions — the only way to be heard sometimes seems to be to turn up the volume.
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Between Shorelines: A Moldovan Girl on Procida

“We get around 80 summers, if we’re lucky — so this is a reminder to prioritize what’s really important.” This photo essay intimately follows the story of a young Moldovan woman Cristina Titomir, who has found an unexpected sense of belonging on the small Italian island of Procida — a place that gently taught her how to slow down, let go, and live the moment. Photographed by Elouise Paabo.
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Finding Stillness in Sound: In Conversation with Milaue

“Messing around on my synthesizers, when a sound gives me butterflies inside, it’s usually a great sign that it’s the right one to express what I’m feeling. I think it’s important to stay open – it can lead to great, unexpected results – and that applies to everyday life too,” says Guillaume, aka Milaue, who is just about to release his debut album florale on August 15th. His way of speaking, much like his sound, feels both comforting and alive — a quiet kind of honesty that draws you in without asking for attention.
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Born to Move, Not to Hide

““Je n’m’enfuis pas, je vole,” she told me before we said goodbye. “I’m not running away, I’m flying.” And I think that phrase sums up everything this session was about: a reminder that we don’t have to flee from who we are — that we can fly with every part of our story, even the ones that once made us feel vulnerable.”
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Video Premiere: A Strange Little Love Story in a Blurred Reality: Mercy Land’s ‘Get Lost!’

From the first notes of “Get Lost!”, a hypnotic beat sets in—dark, propulsive, and strangely inviting. The track pulls us into Mercy Land’s world with a mischievous wink and doesn’t let go. The song is a wild ride—a little dark, a little twisted—shifting gears across genres, tempos, and emotions. It’s an alt-dance track that pulls you into its own uncanny rhythm and doesn’t let up.
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no one was watching

Photographed by Nicola Agliata in Milano, this series follows muse Valeria Bianco in a space where she lets herself be seen — gently, truthfully. Wrapped in soft Ysé lingerie and morning light, she moves like someone remembering who she is. A quiet ode to intimacy — and to feeling at home within your own skin. Enjoy!
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The 3 A.M. Kind

This intimate photo series by Alexander Tarazona captures Nora Jurado in a quiet, sensual moment — all soft light, skin, and feeling.
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The Silence of Norway

‘I just got back from Norway. I went, among other reasons, to take self-portraits—and to finally see a glacier. I ended up on one of the hardest hikes of my life. Steep, brutal, beautiful. The kind of path that forces you to meet yourself in new ways. I kept thinking I might turn back, but I didn’t. And eventually, I stood before the glacier. I was freezing. I was in awe. I took photos with my body against that ancient ice, trying to understand it.
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“I praise myself every day for not falling back into a trap.” Gina Zo on the Lessons That Led to Her New Sound

Yes, you can make music that fits neatly into an era, a genre, or a category. But you can also make the kind of music you love — music that brings you closer to yourself, and in doing so, quietly reaches other people’s hearts. That’s what Gina Zo does. “I praise myself every day for not falling back into a trap,” she tells us at one point — and it lands not as a dramatic declaration, but as a quiet kind of courage. The kind you build slowly, note by note, heartbreak by heartbreak.
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A sweet punch of flirty honesty: ‘Honey’ by Bonnie Freechild

In a world that makes falling in love feel like a risk sport, Honey offers a sugar-coated swing at the confusion. Sweet, like honey – but with a little sting. The new track by Bonnie Freechild flirts with fantasy, limerence, and emotional vulnerability, balancing sultry vocals and raw DIY production with a wink and a grin. “Honey feels like that 3am tipsy text you might regret. Flirty, honest, sultry vocals. Harmonies a little Mariah meets the cheek of FLETCHER with the smooth ache of Snoh Aalegra.”
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“I’m always looking for authenticity.” In Conversation with Florian Picasso

Some interviews you genuinely look forward to — and this one with Florian Picasso was exactly that. Of course, part of that excitement comes from his name. There’s something about it that instantly pulls you in, makes you curious. As I press play on Till I’m Dead, the bass rolls in, groovy and round, pulling me under like a current. It’s addictive. It makes you want to dance. And I realize again how much I love this kind of beat.
C-Heads Volume 38